Note: While I intend this piece to be readable for those who haven’t also read Fear and Trembling, I suspect that this piece will be a lot more valuable to those who are interested in the text itself, which can be found in loads of places on the internet, but also at least here.
A few months ago I was writing up a storm about Heidegger. The ultimate purpose of this storm was because I find him fantastic. But I like Kierkegaard a whole lot more. I’ve recently been re-reading his Fear and Trembling, and the concept in it I find the most interesting and worth discussing is the Teleological Suspension of the Ethical that he describes in the first main section of discussion.
Whew. The phrase itself is somewhat of a mouthful. Therefore, in order to make sense for you readers, I should explain what a Teleological Suspension of the Ethical is. That would make sense before I start telling you why it’s important.
And once you know what it is and why it’s important, then we can maybe start talking about it. Or perhaps I’ll save it for a later post. We’ll have to see!
In previous pieces, drawing on the work of John Vervake and Ian McGilchrist, I’ve discussed the importance of reciprocal processing and participatory experience in enabling insight, wisdom, and implicitly, eudaimonic well being. For the most part, those pieces were theory-oriented. Now let’s talk about applying the theory in practice. These practices are not my own invention. Rather, I’ve adapted them from other sources to match my theory a little better.
As promised, I’m about to give an account of social dancing as instantiating my requirements for a peak spiritual practice. In my case, the social dance is Argentine Tango, though I’m certain this applies to other dances such as Salsa or Blues. With that in mind, I’m going to focus specifically on how I see the spiritual aspects of social dance manifest in Tango.